Banca de QUALIFICAÇÃO: LARESKA LUANNA ROCHA DE FREITAS

Uma banca de QUALIFICAÇÃO de MESTRADO foi cadastrada pelo programa.
DISCENTE : LARESKA LUANNA ROCHA DE FREITAS
DATA : 05/10/2023
HORA: 09:00
LOCAL: Sala / Videoconferência – Google Meet
TÍTULO:

AESTHETIC PRESSURE, BODY IMAGE DISTORTION AND BODY SHAMING: THE CONSTRUCTION OF POINTS OF VIEW AND DISCOURSIVE REPRESENTATIONS IN WOMEN’S SELF-NARRATIVES

PALAVRAS-CHAVES:

Textual Discourse Analysis. Point of view. Discoursive representation. Self-narratives. Aesthetic pressure.

PÁGINAS: 79
GRANDE ÁREA: Linguística, Letras e Artes
ÁREA: Linguística
SUBÁREA: Teoria e Análise Linguística
RESUMO:

The Textual Discourse Analysis (TDA), a theoretical framework developed by Jean-Michel Adam, within the discussions promoted by Text Linguistics, offers a theoretical-methodological approach that enables text analysts to draw closer to their object of study through its interface with the broader field of discursive practices. By examining the text in its multiple dimensions, encompassing aspects of structure, semantics, enunciation, and pragmatics while integrating its discursive conditions of existence, TDA revitalizes theoretical perspectives in Text Linguistics and creates opportunities to explore intersections with other branches in linguistic studies, with Discourse Analysis and Enunciation Theory being particularly prominent. Its analytical proposal exposes, among other categories, the voices underlying every enunciative event, revealing the speaker's positions about themselves, about the other (co-enunciator), and about the discussed theme, besides allowing the discoursive representations that emerge from the statements to become evident. In line with these assumptions, this dissertation focuses on the enunciative and semantic levels of textual analysis, with the objective of investigating the points of view and discoursive representations present in women's self-narratives about aesthetic pressure, image distortion and body shaming. Specifically, it intends to: (i) characterize the points of view that form aesthetic paradigms of the female body; (ii) discuss the movements of (not) assuming enunciative responsibility in the textual and discoursive construction of the roles assumed or implied around the debate on aesthetic pressure; (iii) classify the discoursive representations of the female body highlighted in women's self-narratives; (iv) analyze the relationship between the discoursive representations of a “standard” female body and the collective points of view that structure this ideal. To this end, the theoretical affiliation is based, above all, on Adam (2011, 2017, 2019), to discuss the categories point of view and discoursive representation; Rabatel (2016), to address the notion of enunciative responsibility; as well as in Wolf (2021), Sant’Anna (2022) and Xavier (2021), for considerations on the constitution of beauty standards for the female body. In methodological terms, it is research with a qualitative approach, with an interpretative bias and follows inductive reasoning. The corpus is made up of twelve self-narratives (Maia-Vasconcelos; Freitas; Cardoso, 2015) from women about issues relating to the female body, collected in equal proportion on Instagram, YouTube and Twitter. In this sense, by proposing an investigation centered on two distinct theoretical categories of TDA, point of view and discoursive representation, the work intends to offer support to text analysts to examine them separately and, furthermore, reflect on a possible reciprocal influence of these categories in the co(n)textual construction of meanings. In parallel, it seeks to expand the debate regarding aesthetic pressure as a social mechanism of control over a woman's body.

MEMBROS DA BANCA:
Presidente - 7981 - ROSÂNGELA ALVES DOS SANTOS BERNARDINO
Interna - 3336 - MARIA ELIETE DE QUEIROZ
Externa à Instituição - CRISTIANE MARIA PRAXEDES DE SOUZA NÓBREGA - IFRN